He was and always would be dramatizing his emotions; perpetually he would be confounding his actual with his imaginary self. “Splendid it must be to be a composer. She had known that Remenham House would be deserted, for Martha—released, as she had carefully explained to her charge, by her vows to God from servitude and obedience to Nicholas Charvill, a mere mortal—had begun a correspondence with a friend of her youth, Mrs Joan Ibstock, née Pottiswick.
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