Annabel had taken her life into her hands with gay insouciance, had made her own friends, gone her own way. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. He glanced at Ruth (who had stood with her back to the wall, pinned there throughout the contest by terror and the knowledge of her own helplessness), then at the bronze menace, and calculated correctly that this particular adventure was finished. She dared not look directly at him, her head obscured by a gray hoodie, she had the slumped appearance of an androgynous adolescent. As Gosse pushed her around it, she felt his hold about her of necessity loosen slightly. If only to say goodbye. “I have been amusing myself up to now by trying to earn my living,” she replied. "But trifle with mo no longer. “Nigel, Nigel,” she cried.
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