" So saying, he advanced towards the window, threw open the sash, and called out in the voice of Thames Darrell, "Who's there?" He was answered by a shot from a pistol. It seems that he was a sort of family friend of the Pellissiers, and it was the artist sister whom he was with. They might applaud, or object, or interfere, but the drama was her very own. Accordingly, he proceeded to a gate which stood upon the south, and guarded the passage communicating with the leads. He hung over her—he and his loan to her and his connection with her and that terrible evening—a vague, disconcerting possibility of annoyance and exposure. Ed. .
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