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Wood, then, beheld two persons, one of whom he recognised as Rowland, spring on board the chase. McClintock, without comment, accepted the hand. She realized more and more the quality of the brink upon which she stood—the dreadful readiness with which in certain moods she might plunge, the unmitigated wrongness and recklessness of such a self-abandonment. “We played at love-making in Paris.

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