“It is Rhea’s infant. She noticed that this trunk was not littered with hotel labels. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. We are off for a second honeymoon. Now he lay there, a doubled-up mass, with ugly distorted features, and a dark wet stain dripping slowly on to the carpet. Bird and have come hither. He was caked with dried muck. “Come sit with me, beautiful. Carried out to sea by Van Galgebrok, and thrown overboard, while struggling with the waves, he had been picked up by a French fishing-boat, and carried to Ostend. I loved her so much. Why not? Were not his own sentiments inclined in favour of the patient? But fifty gold was fifty gold.
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